The New Learning Architect – A review

On 7th January, Clive Shepherd announced the advent of his new book The New Learning Architect. I waited impatiently for it’s arrival later that month and promised a review. I wasn’t disappointed – not that I thought I would be – and dipped in and out of it when time allowed. This didn’t do it justice and before writing the review, needed to give myself dedicated time to read it all through in a shorter time. Even now, I know I’ll enjoy reading it all over again and still take more away.

Clive Shepherd, author of The Blended Learning Cookbook, is a consultant in learning technologies and their application in the workplace.

I reviewed his Blended Learning Cookbook 2nd edition where I predicted that his new work would likely take blended learning to a new dimension. Boy did it ever!

Clive starts explaining why a ‘learning architect’. “An architect is someone who creates the plans from which others build” and likens a learning architect to that of a building architect. Building Architects designs “environments for living” whereas the learning architect designs “environments for learning”. Although they wouldn’t necessarily become involved in building the environment they would have to have detailed knowledge of current research to design suitable and safe environments. Not only will they have to meet the brief but consider the needs of the inhabitants.

Clive affirms what it really means to be a learning architect. We hear of the responsibility they have to advise and consult with the client on what would be most appropriate, drawing on their expertise in adult learning theories, brain science and learning technologies. Learning architects, he says, are not order takers – order takers are builders not architects.

The New Learning Architect reflects on how there has been a battle between delivery options in the past where you either had to choose between one or the other e.g. classroom v eLearning; formal v informal and people were firmly footed in one or other of those camps. What this book clarifies is that there is no need to choose sides. Each would work with not against the other where appropriate and towards one goal. It is the learning architect’s role to establish, based on the situation, how these options would work together.

Clive investigates when formal learning interventions are more or less appropriate and under what circumstances the learners can take more responsibility for their own continued professional development. We also see how we can provide opportunities for them to become more self-directed and independent. He goes on to explore the various contexts in which learning will occur:

  1. experiential
  2. on demand
  3. non-formal
  4. formal

The book also explores why it’s important to look at these contexts from two perspectives – top down (directed from the organisation) and bottom up (directed from the individuals) and why there is a place for both perspectives in learning at work. This book will guide you to establish what types of learning contexts will be suitable for your particular requirements, what types of top down or bottom up approaches to consider.

Whole chapters are dedicated to each of the four learning contexts in which Clive provides examples of various learning activities and media tools, when they are best used and when to avoid them. He also explores them from each perspective.

Clive discusses how important it is for people to be motivated to learn and that when breaking down the barriers to access resources, people will learn when the need arises. We also hear that it’s down to the good design of the instructional methods rather than the delivery medium that will ensure success.

In a recent article in the eLearning Age about the 702010 framework, John Helmer calls for a template or a model to help L&D professional implement informal learning and until there is one, informal learning will be more style than substance. Well, The New Learning Architect does just that. Here L&D professionals can take Clive’s four contexts for learning together with his explanation of top down and bottom up approaches as that model.

So who is this book for? Well, I would recommend this book to anyone who is remotely interested in improving results and investing in the development of a workforce whether a large multi-national or small business.

I recommend this book to all those senior managers and CEOs who call for courses (eLearning or otherwise) as panaceas. This book will help you establish whether there really is a formal training need and help you seek advice from your learning and development professionals so that the most effective and efficient solution to a business need is put in place.

If you are a more experienced learning and development professional; if you have benefited from the Blended Learning Cookbook and already implemented some successful blended courses, this book will guide you beyond training and help you take learning into the workplace. It will help you explore and employ informal and social learning methods. It might also encourage you become more architect than builder by advising rather than taking orders from those who don’t know any better.

And if you are new to learning and development then this book will be a welcome guide taking you through the different learning contexts and providing your with lots of examples and case studies.

The New Learning Architect is available on Kindle and from Lulu. Oh and Onlignment will be reviewing individual chapters inviting open discussion too. It’s probably the cost of a couple of drinks or a cinema ticket but could be worth £1000s in improved results.

6 ways for using podcasts in learning

Image by Pexels from Pixabay

Recently I listened to the last CD of the audio book ‘The Elephant to Hollywood‘, the latest autobiography from Michael Caine. It was a requested Christmas present and I decided on the audio book rather than the hard copy or Kindle version for a number of reasons.

  • I have hundreds of books and just rarely get the chance to read for pleasure these days (something I have to change);
  • I spend a lot of time in the car or in hotels and at the end of a day’s training my eyes are too tired to read;
  • Michael Caine was reading his own book which was the selling point to me as it would certainly bring it to life;
  • I had previously bought his last audio book (then on tape back in 1993 and enjoyed that one too);

It was something that I listened too in snippets each trip I made. However long the trip, it sped by listening to his distinct tones. I laughed out loud and cried in places. I love driving anyway but looked forward to my longer trips so I could hear more.  Although at time it was clear that he was reading it because at times there was a little less fluidity to the narration, on the whole it was pretty much like listening  to the stories as if being recounted from memory with the help of notes.

When the last CD came to an end I could have listened to it all over again. I probably will because, as often happens even when listening to the radio, I zone out at times and don’t actually listen to every word.   Maybe some extract of the story sparked a memory or it took me back to one of the films. So the next minute or so the voice just became background noise.

Some weeks after finishing the audio book, I wouldn’t be able to recite it back to you or even give you details of what was said in a particular chapter.  However, certain things will trigger memories of parts of the book and they became clear in my mind again.

Then I began to reflect on my experience and thought how closely it linked to listening to podcasts for learning and what we could use them for.

 

1. Tell a story

If you are planning on a monologue, consider making it more along the lines of story-telling.  Perhaps someone could share a little anecdote about how celebrating a colleague’s birthday in the staff room complete with birthday cake and candles literally sparked a full blown fire evacuation, two fire engines and lots of fire crew.  Yes, folks it did actually happen – I was there – and no it wasn’t me!  Not only would it be an amusing story to tell but something to use as a learning discussion point.

 

2. Chunk it

Even though the audio book took a while to get through it was divided up into CDs and then chapters on each CD.

 

3. Keep them short

It will depend on the type of podcast and your audience of course but consider keeping them between 20 and 30 minutes.  This makes it easier for people to fit into their busy schedules; it’s quicker to download and manage smaller audio files too.

 

4. Have a conversation

Try and go for a more conversational style piece such as an interview or a simple discussion between two or more people.  We tune out to a single voice much more quickly which is why I think I might have ‘zoned’ out at times even though I found Michael Caine’s story-telling fascinating.  Think about why we like listening to the radio.  After all, it’s been popular for decades.

 

5. A roving report style

Why not go for more of a reporter style podcast?  With some creative writing and some keen amateur dramatics people involved you could report on an ‘incident’  where the reporter might have been one of the first at the scene. 

 

6. A quick briefing

podcasts could even be used purely to introduce the programme or provide some background behind an initiative. It’s a lovely way to get the human touch into your self-paced online programme instead of recording a video of yourself.

 

Really, if you just think about how radio is used, your podcasting world is your oyster and very easy to include in your solutions.  There’s plenty of audio recording software out there.  Try Audacity which is free.  You’ll need to also download Lame with it if you want to convert into MP3 files and it has a really good selection editing tools.

What podcasts do you listen to and how are they useful to you?

 

Choose your words well!

Image by narciso1 from Pixabay

Have you ever struggled with writing the text for engaging eLearning? All too often the detached self study tutorials are full of what Cathy Moore calls ‘corporate drone‘ and because we have become used to writing what we think the organisation wants, we can find it tricky to look beyond the business gobbledygook and write what our learners need to hear/read.

Now there are lots of things we can do to help our eLearning become more engaging but the one important thing that’s often missing is the human touch. Somehow when writing for these self study tutorials we forget there is a human being on the other end of the computer. We write business-speak – formal. The last thing to help people feel at ease is formality.

When I was young and being taught English Grammar in school, all my essays had to be grammatically correct. I was taught never to shorten words. I was told always to write ‘it is’ not ‘it’s’ or ‘cannot’ not ‘can’t’. This may still be the case if you’re writing novels. It’s challenging to unlearn these things (and if my Father ever read what I write these days, he’d be appalled).

Here’s my advice…. “imagine you are sitting right next to the person. What would you actually say to them?”. Because, the thing is, even though the tutorial may reach hundreds or thousands of people, there’s only one person sitting on the other end of that PC. It’s an intimate experience. You are talking only to them not the masses. You are connecting only with that one person. Allow them to feel you really exist as a human being not a corporate clone.

I like to think that writing for eLearning tutorials is a little like writing a stage play script or a movie script. Write the conversations you will have with that individual. If creating scenarios, write the script for the scene and create realistic characters to ‘speak’ and ‘act’ out the conversations and emotions. Use natural language. Use visuals to depict emotion or thought bubbles to allow us to understand what the character might be thinking. Avoid all those lovely descriptive adjectives we would see in great novels we’re not writing novels, we’re writing scenes so learners can imagine themselves right there.

Make their online learning experience just that – an experience…and one to remember.

A Glee-ful approach to learning

My Sunday was a lazy one. I was vegging out on the sofa with my two dogs keeping me company while my other half was trudging up and down woodland shooting his bow and arrows. Bliss! I was flicking through the channels to find something of interest and came across Glee Club. I’ve never seen it before but heard a lot about it and thought it the perfect veg-out, feel-good way to spend an afternoon.

Well, I thought I was going to spend a lazy hour anyway not thinking about work – house-work or otherwise. But – no – not a chance. My little grey cells jumped into action during an interaction between Mr Will Schuester, the Glee Club teacher played by Matthew Morrison, and a substitute teacher, Holly Holiday played by Gwyneth Paltrow who was standing in from Will as he suffered from ‘monkey flu’ (well I need to put you in the picture). Holly, was a breath of fresh air to the students. She had an up-beat attitude and connected with them emotionally (and Gwyneth did an amazing rendition of Cee Lo Green’s ‘Forget You’ in the episode too).

What made my slumbering grey cells jump to life was the following conversation:

Will: “you’re a substitute – of course you can paint murals and let the kids sing whatever they want. You don’t have to deal with the hangover of all that fun”

Holly: “16% of all students dropped out last year. You can’t expect these kids to sit up and pay attention. These kids feel special. They have a voice and if we don’t listen to it they just tune out” (sound familiar?)

Will: “I give my kids a voice. I just don’t let it run free. It’s my job to know more than they do” (hmmmm – sound familiar?)

Holly: “Right – but you don’t know more about what they care about most – themselves. These kids get bored…. they change their Facebook status. They’re entitled to have all these emotions and not only that, they’re entitled for the world to care about them. That’s what this generation is all about.”

Will: “A great teacher is supposed to show them there are other points of view besides their own!”

Holly: “OK. What do you do when a kid does something really great in your class?”

Will: “I praise them!”

Holly: “I Tweet about it. Right there and then and then for 30 seconds I know that kid has a connection with me.”

Yeah! I know. Sad isn’t it. But it just shows we can learn from sometimes the most unexpected places and occurrences. Glee Club is an ‘all-come-good-in-the-end’ programme. I loved it (but then I loved Fame – the original Glee Club). So what connection did I make from this? Well, it’s set within a school so the teaching bit is obvious. But the message is clear:

We need to connect with our learners emotionally (it doesn’t matter how young or old they are).

We need to understand their point of view and give them a voice.

We need to encourage them to be more self-directed in their learning rather than be told what’s best for them.

They need to see the relevance to help them motivated to learn

We need to become familiar with the tools they use everyday and harness them

We need to step down off the soapbox and admit there is more for us to learn and they can teach us too

The first step is asking “what would YOU like?” “what would help YOU to learn?” “what would YOU like to see happen?”

We need to try and step into their world without it looking too much like ‘dad-dancing’ at a family wedding!

The new generation has already joined us in our organisations. They are the digital natives. They have already introduced some of us oldies to their world and welcomed us with open arms. We are the digital immigrants and are finding the ‘new world’ exciting, challenging and full of opportunities.

I’d like you to humour me a little more with my Glee themed post. Every feel-good story has a happy ending and this one is no different.

It culminated in my all time favourite musical number. A traditional classic – timeless. Singing in the Rain.

On Will’s return to the Glee Club, he wanted the group to perform it. Because it was timeless, a classic and his favourite too, he was convinced everyone else would be equally enthusiastic. Now the movie dates back to 1952 but the song ‘Singing in the Rain’ was actually written in 1929 for ‘Hollywood Review of 1929″. How could a younger generation relate to something so old. How could they connect emotionally with this ancient score?

Realising he needed help to connect with his students he sought the help of his nemesis, Holly, who worked with him to bring the classic up to date, keeping the magic of the traditional but adding a modern flavour to appeal to a newer audience. The result was a magical blend of old and new – tradition and modern. Here is the number the Glee Club performed.

Some classics are too good to be missed but to get the message across to a different audience, we need a different blend while still keeping the message fresh.

And for those hopeless romantics and lovers of the classic number, here is genius that is Gene Kelly. Enjoy!

The problem with informal learning is people!

Image by Keith Johnston from Pixabay

Please don’t misunderstand me. I am a big advocate of informal learning although I’ve never been happy with the term. In fact I’m living proof that it is effective. To find out how you’ll have to wait til the end of the post for my own experiences. But before that, I wanted to investigate further why people are the problem with informal learning.

I recently read an article in this month’s eLearning Age by John Helmer about informal learning. It’s about the 70 20 10 rule but in essence, the 70 and 20 of that rule equates to a lot of informal learning. I was particularly interested in a reference John Helmer made to “Jay Cross et all decreeing the shutting down of training departments”. It reports on suggestions that if 90% of learning actually goes on informally, “need they (L&D professionals) even show up for work?” It goes on to reference Epic’s Oxford Union debate raising concerns that we couldn’t risk the professional development of our medical experts, pilots etc to informal learning.

Like I said in the title of this blog, the trouble with informal learning is people. And the problem with people is they sometimes act rashly without thought. Or they think but don’t analyse properly. Or they misinterpret. And all too often they hear what they want to hear like ‘if informal learning means workers learn as they do their jobs and from their colleagues, we obviously don’t need all those trainers and learning developers’. The problem with some other people is when they hear the word ‘informal’ they really hear ‘haphazard, chaotic, left to chance, won’t happen’. It’s a bit like when people hear the term ‘blended learning’ they really hear ‘eLearning + classroom + a little more eLearning’.

So some people think informal learning is an excuse to axe L&D teams while there are others who when they hear ‘informal learning’ think “that’ll never work – can’t measure that – what statistics can we report back with that?”

Now before I go on any further, I’d like to share a little secret you may not know. Jay Cross isn’t advocating no formal learning at all – formal learning will be essential for certain areas such as training novices or for compliance and where death/safety/litigation etc might be a consequence of learning being left to the motivation of the individual. And of course this relates back to the 70 20 10 theory.

So what’s the future for L&D professionals with this movement towards more self-directed, workplace learning and less formal courses? If L&D professionals are shrewd enough, shout loud enough and they have the backing from senior managers, they can become the cement that holds the organisation together by working with individuals as coaches and cultivators of their personal learning journey. People will need support from learning professionals, they will need to learn how to use the new tools, they will certainly need to learn how to critically appraise the information they find. L&D professionals are just that – professionals in learning and development.

They have the opportunity to be the consultants they really are and advise senior managers how to encourage their staff to, as Jay Cross and the Internet Time Alliance refer to as ‘work smarter’. Formal learning will not disappear but its future will be more meaningful and relevant, more in line with business goals and therefore more effective.

Ok – so now we’ve accepted that informal learning is being taken on board how on earth do we know if it’s doing any good? Here’s my question to you. How do we know when a person is capable of doing their job? Does tracking every click through a screen or have everyone sit for hours in a classroom do that? Or is it by assessment of their skills?

In my view, the ONLY way we can assess competency is in them applying any learning to a work-based task. In preparation for that they may undertake a formal assessment followed application in the workplace. Tracking what I call ‘bums on seats’ or clicks through pages only tracks attendance. It doesn’t tell us anything about whether those individuals have even paid attention let alone learned anything. Therefore, does it really matter how they gain the knowledge or skills?

Formal assessments will still have your learning objective. After all, a learning objective should be a description of the assessment anyway. It’s referencing the END of the journey. How your workforce get there will depend on the level of experience of the individuals. Those dependent learners i.e. newcomers, or those with no prior experience will likely need a more formal approach. Those more experienced, who can build on prior knowledge and are used to a more self-directed way of learning would benefit from a more organic learning journey. So what if the individual has gained the majority of their knowledge by being self-motivated enough to follow current research, have conversations with experts whether face to face, by blogging and reading blogs attending conferences, connecting through tools such as Twitter, asking colleagues on best practice. At the end of it all, it’s still an assessment which will prove how effective any learning method has been.

As learning professionals, aren’t we supposed to be following the androgogical principles in our learning solutions? Ryan Tracey has an excellent post on this. Quoting from his article, androgogical principles are based on the assumptions that adults are…..

1. Adult learners are self directed.
2. Adults bring experience with them to the learning environment.
3. Adults are ready to learn to perform their role in society.
4. Adults are problem oriented, and they seek immediate application of their new knowledge.
5. Adults are motivated to learn by internal factors.

And we all know what assumption is the mother of don’t we? No? You might need to Google that one.

Ryan goes on to say that life isn’t that simple. We know from experience that adults’ motivation for effort (whether that’s for learning or working) is directly affected by circumstances and they can range from how pressured they are by deadlines to having to learn something brand new where they become novices again (and the actions of their superiors). Sometimes, a more formal approach to learning will be the solution, sometimes a more experiential, self-directed, informal approach will be the order of the day but what is a fact, it’s not about battling them out against each other but more about how they work together.

Going back to the article in eLearning Age, John Helmer calls for a ‘north star’ and says that “until we have templates, until we have frameworks, until we have proof, informal learning will remain more style than substance”. If you’re looking for guidance, there are plenty of case studies from major organisations who have successfully encouraged a more informal approach to learning which you can find on the Towards Maturity site www.towardsmaturity.org. As for templates and framework, you need to check out Clive Shepherd’s new book The New Learning Architect which not only gives an excellent framework to work with.

And finally, in defense of informal learning I would like to share with you how it has played an enormous role in my own personal development and, as such directly influential in my career progression, expertise and growth that has constantly helped shape the blended courses courses I deliver for my employer in the field of online learning.

When I joined the Digital Learning team in a previous job, I attended formal courses in all my now areas of expertise. It started with a blended learning course. That was the only ‘formal’ element of my learning journey in these topics. I was hooked. I always had a liking for technology and a passion for learning so I already had motivation. My destiny was then delivering that same course and I sat and observed, then delivered a bit at a time, then all on my own. That’s what I would class as application back in the workplace which embedded the learning. Since then, it’s instilled a passion that set me on my eternal informal learning journey. I also had amazing support and encouragement from my colleagues and line managers.

Now I research, connect, analyse, blog, read, collaborate to keep my knowledge fresh and up to date. No-one has forced me to do this, it wasn’t asked of me at work and it certainly hasn’t been managed or directed (apart from it being necessary to keep out of date). It’s all purely self-directed and informal. Without the technology such as Twitter (my biggest and best professional development tool), blogs, white papers, and then dabbling in blogging myself, I doubt I would have been as successful. Even thought I work from home I can assure you that I’m also able to access these tools when in the company office. None of our staff ‘waste’ our time on it – we don’t have the time to waste. But my passion has extended beyond work and I continue my professional development in my own time probably unhealthily so.

If you were able to track how many Tweets I read, how many websites and blogs I visit and read, how many people I speak to, that wouldn’t tell you whether I actually learned anything. My self-directed, informal path may not be measured by tracking but it is measured in the success of the courses I run, the feedback I get, the achievements of those individuals who have benefited as a result of my own efforts.

So the only piece of advice I can give to organisations is if you think it’s a risk to allow your staff to pursue a more informal approach in their own development and ban the use of the tools that facilitate that learning just take a moment to think about the risks of not doing it. Think about what you are are not achieving as a result. And for those individuals who are frustrated and complain that your organisation won’t allow you to learn this way, if you value your own personal development you will find a way on your own in your own time. It may not be fair but life rarely is.

To re-iterate my initial thought. The only problem with informal learning is people!

5 Quick tips for engaging visuals

Image by Monsterkoi from Pixabay

Creating engaging eLearning – Part 5

Increasingly those of us who are involved in putting together any sort of visual material whether it’s slides for live sessions, eLearning screens, Slideshares, classroom presentations are finding it necessary to have a reasonable knowledge the basics of graphic design and marketing. Graphic design because we need to make an impact with visuals appropriately but marketing because we are actually ‘selling’ our content through visuals.

Here are 3 quick tips to get you started:

 

1. Use the rule of thirds

One simple but a very effective rule that will help anyone starting out on their journey to engage with visuals is the ‘rule of thirds’. As a little task to my readers out there, just do a little Googling on the subject and you’ll be amazed what you find and perhaps it might explanation why we’re drawn to some photos and not others. Those photographers out there may already be aware of it or perhaps you have a natural eye and didn’t even know the principle your were automatically applying to your compositions.

 

2. Look not just see

I often recommend those on my courses to take a closer and more analytic look at adverts as they take the morning bus ride. Note the composition; how have the people in the pictures been placed? How much text is displayed and what influence does the font style (typography) have on the message being conveyed? How much ‘white space’ is there and how does it help the message? We can learn a lot from advertisers and photographers.

We can also be creative in how we combine text and images. Have a little think for a moment….. as we go through our daily lives, on what objects do we see text written? Where are they positioned and how is colour being used to ‘gel’ the composition?

 

3. Use visual context

Context is important; you can place content in context quickly making appropriate image choices.  For example, in an office environment there are notepads, folders, computer screens, laptops, diaries, labels, post-it notes. In a kitchen there are cans, menus, order pads, jam-jars, packets of food. In a hospital there are prescription pads, medicine bottles, medical record sheets, signage, x-ray panels.

No matter what our topic is for either presentations, live online sessions or eLearning screens, we have a plethora of objects to choose from. Taking a piece of eLearning for example, if our topic was about chairing meetings the agenda for the session could very appropriately be displayed on an image of an official agenda sheet. We could, perhaps, type a question in a handwriting font on a spiral notebook or even use a post-it note to display each possible option in answer to a question.

 

4. Take inspiration from around you

Next time you look at the news on TV, pay more attention to the graphics they use when presenting any statistical information and pinch any ideas you can.

5. Trash the (PowerPoint) template

 

Ditch that boring PowerPoint template (although some of the more recent designs you can choose from are pretty good).  The default PowerPoint template is old-fashioned with centred heading and bullet lists. 

Of course, there is much more we can apply to make sure our visuals are not only engaging but meet usability guidelines too but these will get you off to a good start. 

Remember my mantra: our only limitation is our imagination.

For previous posts in this series see:

Can eLearning designers learn from retail designers
Putting the learning back in e-learning
Creating engaging eLearning – as easy as CSI
What hope is there for eLearning?